just chillin'
Posted May 09, 01:33 PMWhat's up, everybody! Happy Friday and all that. Unfortunately, you'll have to wait until Monday to check out the webvid I shot with McCann yesterday - but hopefully it's worth the wait! We had a great time, and now his office smells like stale beer. Intrigued? Oh, you should be. ;)
As you all know, this week has been a busy one for everyone here at the show, but no one more so than everyone's favorite Late Night Ninja, Jason Chillemi. He shot a couple really sweet remotes this week, and I thought you all would want to hear about them! So without further ado... Herrrrrre's Chillemi!! Have a great weekend everyone!!
- Aaron
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Hey there Internet
Chill here. Thank you Bley for the sweet intro. I hope all is well with my faithful readers. I have missed writing for you guys and am excited to fill you in on what has been going on in my neck of the woods. These last couple of weeks have been nonstop!
Warm weather + May sweeps = Sweet location shoots.
You all know what our "Satellite TV" comedy piece is. Conan brings down the television and talks about all the crazy cool channels that only he gets here at the Rock. I am usually heavily involved in this bit and that was definitely the case this time. Some of these "Satellites" were actually shot way back in October before the strike went down. (I am still doing the research on it, but if these "channels" air it might be the longest period of time between the shoot date and the air date in our show's history. I will keep you posted.) This week, the "Satellites" had me running to batting cages, yoga studios, Central Park, subways, our fine city's streets, the "Scene Dock" (our 2nd studio where we put up a lot of sets) and elevators. Some of these channels were successful and some of them you get the feeling are not going to be as good as they might have sounded on paper. Some were done on the "up and up" where I set up locations via contract and had permission to shoot there such as the batting cage and yoga studio; and some were "done down and dirty" where I basically stole the shot and prayed we wouldn't get thrown out or arrested (remind me to tell you guys about all my near arrests over the years, but that is for another blog) such as the subway, elevator, and even the city streets( need permits for everything!!!).
The elevator was my favorite: It was for a channel that involved Brian Stack dressed like God. So I know our building is going to be very difficult in letting us get control over an elevator especially when we want to do it (12pm - LUNCH TIME) so i am forced to keep hitting buttons until we get an empty elevator, then I pile in with a 2 man camera crew, a writer, and God (long grey hair, a robe, sandals) and we just ride up and down until we get our shot. You would think that if an elevator that you were waiting for opened on your floor and their were 5 people in it clearly filming something that you would wait for the next one. Apparently, I was in the minority with that thought, because a shoot that should have taken 10 minutes tops, took almost an hour due to "other passengers" hopping on, not even doing a double take to God talking his head off to a camera. Sometimes a group of 5 would pile in. That is 10 people on a not huge, hot elevator, people!!! I can't imagine Stack in that heavy robe and crazy wig. He must have been dying. Even the most simplest of shots can be really hard to get done.
Aaron Bleyaert


